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Robert Johnson Theorie 49
for collaboration, conversation, and visibility. COLIN SELF is a composer and choreographer [...]
ELATION SERIES, is a six-part sequential opera about queer family and global transfiguration. Last year he [...]
candidate at the Bard Milton-Avery Program and runs a non-utilitarian choir in NYC called XHOIR. COLIN is [...]
;is a Berlin-based artist whose work engages emerging technologies and the relationship between self [...]
class of Hito Steyerl and is currently teaching at the HFG Offenbach am Main. In her practice Thie [...]
WRO 2017 Biennale: Draft Systems
The WRO Media Art Biennale is the largest forum for new media art in Poland, and one of the leading [...]
Diploma presentation Art
an official map somewhere, forgot where I saw it though. But what I do remember is that it didn't [...]
. Hans Zitko (Theorie)
Dementia Hortensis
»Hey, sometimes I get lost in this place. There is [...]to do like they own the place? Thinking they have the monopoly on truth? Small minds is what they [...]
Powerpoint Selbstständige und zuverlässige Arbeitsweise, Engagement und Spaß am Arbeiten im Team sehr [...]
»Making Heimat« exhibition at Deutsches Architekturmuseum (DAM)
the exhibition is now on display at DAM (March 4 –September 10, 2017). The urbanist Prof. Kai [...]
surprisingly low crime rate in what is ethnically a very heterogeneous city. The exhibition responded to the [...]
title “Offenbach is almost all right”, Offenbach is presented as an outstanding example. March 3, 2017 [...]
German Design Award for HfG alumnus
, beating more than 120 nominated young designers. The Award is one of the most prestigious in the [...]
generative processes, moving between the poles of material, form, and structure. Würkner is co-founder of [...]
HOT POTS (What Artists Cook Up in Clay)
What is that attract some artists to clay? How have they used it in their works? Artist Betty [...]
Woodman once say that there is a simple reason why she decided to use clay in her work: »out of nothing [...]
, you make something— it’s magic.« Making, firing, glazing. The magic of clay is the supernatural [...]
become a ritual dance: for instance, for artist Lynda Benglis working with clay is like dancing: »I [...]
feel the clay; I am the clay… I am the material and what I am doing is embracing it and allowing it to [...]